Creating the piece was a bit of a challenge, as the set pieces came late in the process and the physicality of the piece was somewhat trial and error (I am very girlie-girl, so this was a whole new way of thinking about movement for me). The men were very open and receptive and I remember them trying so hard to give me the vision that I wanted. Sadly, the piece had to be pulled from the show after opening night due to an injury. This was one of the saddest moments of my career. I was devastated, and so were they. It was no one's fault, it was just kismet. Somehow the stars aligned and the universe decided that it wasn't time for this work to be completed. I remember feeling so bad that I had somehow created this failed experience for the students, but they were lovely as we consoled each other.
Fast-forwarding to the present, 4 years later, we just closed the show for the annual faculty concert and my baby "Yang" was just put safely to rest, having brilliantly made its appearance in completion. The dancers were amazing. Dedicated. Open. Loving. I feel so blessed and grateful. It is as if these past four years were suppose to happen the way they did so that I could experience this pure joy and contentment.
Yes, the failure of the first attempt at "Yang" was the beginning of a very tumultuous number of years for my personal and professional growth as I worked in the community trying to build a company with colleagues, and I have struggled with the pain of psychological wounds that were inflicted. I even took a break from choreographing at the University as I still have some anxiety walking into the dance space now. But I somehow knew that my first piece after my healing break, had to be "Yang." I had to heal that wound because I believed in the piece fully and knew that it deserved another chance. The experience was amazing. It was fun, exhilarating, powerful, and healing. It reaffirmed my instincts that the dance space is sacred. That there is no room for ego or negative energy, that it is a place to create art and allow each of us to explore without judgement. It is fragile, and should be approached with the utmost reverence.
Coming full circle has shown me that the lessons of these past years have helped me get to this point. I feel content and excited for my next adventure. I wish nothing but the best for all of my dance community in their future endeavors. I am at peace, and I hope in their hearts, they are as well. After all, there has to be balance in the world of Yin and Yang in order to find peace. Three of the original cast members were able to see the piece as they are locally working as dance artists, and they each spoke about how happy they were to see it in completion. The other three dancers are scattered across the world pursuing their dreams as dancers. I send them much love, I miss them. Thank you, to my second cast of dancers. You have no idea how much you have helped this crazy Mama find herself again, and to own her own madness as absolutely beautiful. Much love to you all!
My son Zane laying down with all of the gifts from my dancers.
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